Glasser - Interiors john cage deft post-Appalachian banjo- and guitarsmanship

deft post-Appalachian banjo- and guitarsmanship from the main man

Girls on KRAAK (2011) and Gem (2012) - albums which helped to “widen and universalize her music without losing a drop of what previously made it so special and personal” (Pitchfork) - her debut album for 4AD

pleasingly arrogant and latent crazy intonation declare a certain trust into the German language

Red Rocks Amphetheatre • Apr

The music on Black Noise balances precariously on the slippery threshold between art and nature

Glasser - Interiors john cage deft post-Appalachian banjo- and guitarsmanshipInteriors, Cameron Mesirows second full length release as Glasser, is a more considered, confident, and much more sharply personal album than its predecessor. Its central themes are love and anxiety and the spatial constraints of both in the landscape of ones life. In the three years since Cameron released her breakout debut Ring, she toured around the world (with Jnsi of Sigur Rs, The XX, Delorean, among others) and left her California home for New